Still grieving the loss of his wife, a technological entrepreneur (Vincent Cassel) finds what’s left of his world collapsing into a nightmare of sex, paranoia, and grief in David Cronenberg’s most personal film. Cassel plays Karsh, a technological entrepreneur still grieving the death of his wife Becca (Diane Kruger) four years earlier. He has thrown himself into his work, devising technologically augmented burial shrouds that let loved ones watch their lost family members decompose. It’s the closest thing to being there with them—and no, it’s not for everyone. But when his wife’s plot is among several desecrated in an apparent act of vandalism, Karsh slips into a full-on crisis that expands to involve Becca’s lookalike sister, Terry (also Kruger), her ex-husband Maury (Guy Pearce), and, eventually, Soo-Min (Sandrine Holt), the enigmatic wife of a dying Hungarian tycoon who wants to open one of Karsh’s cemeteries in Budapest. Is Karsh losing his mind, or is some strange web closing around him?